 |
   |
The Manifold of Sense
By: Dr.
Sam Vaknin
| "Psychology An Introduction"
Ninth Edition By: Charles G. Morris, University of Michigan
Prentice Hall, 1996 |
| |
| "Anthropologists report enormous
differences in the ways that different cultures categorize
emotions. Some languages, in fact, do not even have a word for
emotion. Other languages differ in the number of words they
have to name emotions. While English has over 2,000 words to
describe emotional categories, there are only 750 such
descriptive words in Taiwanese Chinese. One tribal language
has only 7 words that could be translated into categories of
emotion
the words used to name or describe
an emotion can influence what emotion is experienced. For
example, Tahitians do not have a word directly equivalent to
sadness. Instead, they treat sadness as something like a
physical illness. This difference has an impact on how the
emotion is experienced by Tahitians. For example, the sadness
we feel over the departure of a close friend would be
experienced by a Tahitian as exhaustion. Some cultures lack
words for anxiety or depression or guilt. Samoans have one
word encompassing love, sympathy, pity, and liking which
are very different emotions in our own culture." |
Introduction
This essay is divided in two parts. In the first, we survey the
landscape of the discourse regarding emotions in general and
sensations in particular. This part will be familiar to any student
of philosophy and can be skipped by same. The second part contains
an attempt at producing an integrative overview of the matter,
whether successful or not is best left to the reader to judge.
A. Survey
Words have the power to express the speaker's emotions and to
evoke emotions (whether the same or not remains disputed) in the
listener. Words, therefore, possess emotive meaning together with
their descriptive meaning (the latter plays a cognitive role in
forming beliefs and understanding).
Our moral judgements and the responses deriving thereof have a
strong emotional streak, an emotional aspect and an emotive element.
Whether the emotive part predominates as the basis of appraisal is
again debatable. Reason analyzes a situation and prescribes
alternatives for action. But it is considered to be static, inert,
not goal-oriented (one is almost tempted to say: non-teleological -
see: "Legitimizing
Final Causes"). The equally necessary dynamic,
action-inducing component is thought, for some oblivious reason, to
belong to the emotional realm. Thus, the language (=words) used to
express moral judgement supposedly actually express the speaker's
emotions. Through the aforementioned mechanism of emotive meaning,
similar emotions are evoked in the hearer and he is moved to action.
A distinction should be and has been drawn between
regarding moral judgement as merely a report pertaining to the
subject's inner emotional world and regarding it wholly as an
emotive reaction. In the first case, the whole notion (really, the
phenomenon) of moral disagreement is rendered incomprehensible. How
could one disagree with a report? In the second case, moral
judgement is reduced to the status of an exclamation, a non-propositional
expression of "emotive tension", a mental excretion. This
absurd was nicknamed: "The Boo-Hoorah Theory".
There were those who maintained that the whole issue was the
result of mislabeling. Emotions are really what we otherwise call
attitudes, they claimed. We approve or disapprove of something,
therefore, we "feel". Prescriptivist accounts displaced
emotivist analyses. This instrumentalism did not prove more helpful
than its purist predecessors.
Throughout this scholarly debate, philosophers did what they are
best at: ignored reality. Moral judgements every child knows
are not explosive or implosive events, with shattered and scattered
emotions strewn all over the battlefield. Logic is definitely
involved and so are responses to already analyzed moral properties
and circumstances. Moreover, emotions themselves are judged morally
(as right or wrong). If a moral judgement were really an emotion, we
would need to stipulate the existence of an hyper-emotion to account
for the moral judgement of our emotions and, in all likelihood, will
find ourselves infinitely regressing. If moral judgement is a report
or an exclamation, how are we able to distinguish it from mere
rhetoric? How are we able to intelligibly account for the formation
of moral standpoints by moral agents in response to an unprecedented
moral challenge?
Moral realists criticize these largely superfluous and artificial
dichotomies (reason versus feeling, belief versus desire, emotivism
and noncognitivism versus realism).
The debate has old roots. Feeling Theories, such as Descartes',
regarded emotions as a mental item, which requires no definition or
classification. One could not fail to fully grasp it upon having it.
This entailed the introduction of introspection as the only way to
access our feelings. Introspection not in the limited sense of
"awareness of one's mental states" but in the broader
sense of "being able to internally ascertain mental
states". It almost became material: a "mental eye", a
"brain-scan", at the least a kind of perception. Others
denied its similarity to sensual perception. They preferred to treat
introspection as a modus of memory, recollection through
retrospection, as an internal way of ascertaining (past) mental
events. This approach relied on the impossibility of having a
thought simultaneously with another thought whose subject was the
first thought. All these lexicographic storms did not serve either
to elucidate the complex issue of introspection or to solve the
critical questions:
| How can we be sure that what we
"introspect" is not false? If accessible only to
introspection, how do we learn to speak of emotions uniformly?
How do we (unreflectively) assume knowledge of other people's
emotions? How come we are sometimes forced to
"unearth" or deduce our own emotions? How is it
possible to mistake our emotions (to have one without actually
feeling it)? Are all these failures of the machinery of
introspection? |
The proto-psychologists James and Lange have (separately)
proposed that emotions are the experiencing of physical responses to
external stimuli. They are mental representations of totally
corporeal reactions. Sadness is what we call the feeling of crying.
This was phenomenological materialism at its worst. To have
full-blown emotions (not merely detached observations), one needed
to experience palpable bodily symptoms. The James-Lange Theory
apparently did not believe that a quadriplegic can have emotions,
since he definitely experiences no bodily sensations.
Sensationalism, another form of fanatic empiricism, stated that all
our knowledge derived from sensations or sense data. There is no
clear answer to the question how do these sensa (=sense data) get
coupled with interpretations or judgements. Kant postulated the
existence of a "manifold of sense" the data supplied
to the mind through sensation. In the "Critique of Pure
Reason" he claimed that these data were presented to the mind
in accordance with its already preconceived forms (sensibilities,
like space and time). But to experience means to unify these data,
to cohere them somehow. Even Kant admitted that this is brought
about by the synthetic activity of "imagination", as
guided by "understanding". Not only was this a deviation
from materialism (what material is "imagination" made of?)
it was also not very instructive.
The problem was partly a problem of communication. Emotions are
qualia, qualities as they appear to our consciousness. In many
respects they are like sense data (which brought about the
aforementioned confusion). But, as opposed to sensa, which are
particular, qualia are universal. They are
subjective qualities of our conscious experience. It is impossible
to ascertain or to analyze the subjective components of phenomena in
physical, objective terms, communicable and understandable by all
rational individuals, independent of their sensory equipment. The
subjective dimension is comprehensible only to conscious beings of a
certain type (=with the right sensory faculties). The problems of
"absent qualia" (can a zombie/a machine pass for a human
being despite the fact that it has no experiences) and of
"inverted qualia" (what we both call "red" might
have been called "green" by you if you had my internal
experience when seeing what we call "red") are
irrelevant to this more limited discussion. These problems belong to
the realm of "private language". Wittgenstein demonstrated
that a language cannot contain elements which it would be logically
impossible for anyone but its speaker to learn or understand.
Therefore, it cannot have elements (words) whose meaning is the
result of representing objects accessible only to the speaker (for
instance, his emotions). One can use a language either correctly or
incorrectly. The speaker must have at his disposal a decision
procedure, which will allow him to decide whether his usage is
correct or not. This is not possible with a private language,
because it cannot be compared to anything.
In any case, the bodily upset theories propagated by James et al.
did not account for lasting or dispositional emotions, where no
external stimulus occurred or persisted. They could not explain on
what grounds do we judge emotions as appropriate or perverse,
justified or not, rational or irrational, realistic or fantastic. If
emotions were nothing but involuntary reactions, contingent upon
external events, devoid of context then how come we perceive
drug induced anxiety, or intestinal spasms in a detached way, not as
we do emotions? Putting the emphasis on sorts of behavior (as the
behaviorists do) shifts the focus to the public, shared aspect of
emotions but miserably fails to account for their private,
pronounced, dimension. It is possible, after all, to experience
emotions without expressing them (=without behaving). Additionally,
the repertory of emotions available to us is much larger than the
repertory of behaviours. Emotions are subtler than actions and
cannot be fully conveyed by them. We find even human language an
inadequate conduit for these complex phenomena.
To say that emotions are cognitions is to say nothing. We
understand cognition even less than we understand emotions (with the
exception of the mechanics of cognition). To say that emotions are
caused by cognitions or cause cognitions (emotivism) or are part of
a motivational process does not answer the question: "What
are emotions?". Emotions do cause us to apprehend and perceive
things in a certain way and even to act accordingly. But WHAT are
emotions? Granted, there are strong, perhaps necessary, connections
between emotions and knowledge and, in this respect, emotions are
ways of perceiving the world and interacting with it. Perhaps
emotions are even rational strategies of adaptation and survival and
not stochastic, isolated inter-psychic events. Perhaps Plato was
wrong in saying that emotions conflict with reason and thus obscure
the right way of apprehending reality. Perhaps he is right: fears do
become phobias, emotions do depend on one's experience and
character. As we have it in psychoanalysis, emotions may be
reactions to the unconscious rather than to the world. Yet, again,
Sartre may be right in saying that emotions are a "modus
vivendi", the way we "live" the world, our
perceptions coupled with our bodily reactions. He wrote: "(we
live the world) as though the relations between things were governed
not by deterministic processes but by magic". Even a rationally
grounded emotion (fear which generates flight from a source of
danger) is really a magical transformation (the ersatz elimination
of that source). Emotions sometimes mislead. People may perceive the
same, analyze the same, evaluate the situation the same, respond
along the same vein and yet have different emotional reactions.
It does not seem necessary (even if it were sufficient) to postulate
the existence of "preferred" cognitions those that
enjoy an "overcoat" of emotions. Either all cognitions
generate emotions, or none does.
| But, again, WHAT are emotions? |
We all possess some kind of sense awareness, a perception of
objects and states of things by sensual means. Even a dumb, deaf and
blind person still possesses proprioception (perceiving the position
and motion of one's limbs). Sense awareness does not include
introspection because the subject of introspection is supposed to be
mental, unreal, states. Still, if mental states are a misnomer and
really we are dealing with internal, physiological, states, then
introspection should form an important part of sense awareness.
Specialized organs mediate the impact of external objects upon our
senses and distinctive types of experience arise as a result of this
mediation.
Perception is thought to be comprised of the sensory phase
its subjective aspect and of the conceptual phase. Clearly
sensations come before thoughts or beliefs are formed. Suffice it to
observe children and animals to be convinced that a sentient being
does not necessarily have to have beliefs. One can employ the sense
modalities or even have sensory-like phenomena (hunger, thirst,
pain, sexual arousal) and, in parallel, engage in introspection
because all these have an introspective dimension. It is inevitable:
sensations are about how objects feel like, sound, smell and seen to
us. The sensations "belong", in one sense, to the objects
with which they are identified. But in a deeper, more fundamental
sense, they have intrinsic, introspective qualities. This is how we
are able to tell them apart. The difference between sensations and
propositional attitudes is thus made very clear. Thoughts, beliefs,
judgements and knowledge differ only with respect to their content
(the proposition believed/judged/known, etc.) and not in their
intrinsic quality or feel. Sensations are exactly the opposite:
differently felt sensations may relate to the same content. Thoughts
can also be classified in terms of intentionality (they are
"about" something) sensations only in terms of their
intrinsic character. They are, therefore, distinct from discursive
events (such as reasoning, knowing, thinking, or remembering) and do
not depend upon the subject's intellectual endowments (like his
power to conceptualize). In this sense, they are mentally
"primitive" and probably take place at a level of the
psyche where reason and thought have no recourse.
The epistemological status of sensations is much less clear. When
we see an object, are we aware of a "visual sensation" in
addition to being aware of the object? Perhaps we are only aware of
the sensation, wherefrom we infer the existence of an object, or
otherwise construct it mentally, indirectly? This is what, the
Representative Theory tries to persuade us, the brain does upon
encountering the visual stimuli emanating from a real, external
object. The Naive Realists say that one is only aware of the
external object and that it is the sensation that we infer. This is
a less tenable theory because it fails to explain how do we directly
know the character of the pertinent sensation.
What is indisputable is that sensation is either an experience or
a faculty of having experiences. In the first case, we have to
introduce the idea of sense data (the objects of the experience) as
distinct from the sensation (the experience itself). But isn't this
separation artificial at best? Can sense data exist without
sensation? Is "sensation" a mere structure of the
language, an internal accusative? Is "to have a sensation"
equivalent to "to strike a blow" (as some dictionaries of
philosophy have it)? Moreover, sensations must be had by subjects.
Are sensations objects? Are they properties of the subjects that
have them? Must they intrude upon the subject's consciousness in
order to exist or can they exist in the "psychic
background" (for instance, when the subject is distracted)? Are
they mere representations of real events (is pain a representation
of injury)? Are they located? We know of sensations when no external
object can be correlated with them or when we deal with the obscure,
the diffuse, or the general. Some sensations relate to specific
instances others to kinds of experiences. So, in theory, the
same sensation can be experienced by several people. It would be the
same KIND of experience though, of course, different instances
of it. Finally, there are the "oddball" sensations, which
are neither entirely bodily nor entirely mental. The sensations
of being watched or followed are two examples of sensations with
both components clearly intertwined.
Feeling is a "hyper-concept" which is made of both
sensation and emotion. It describes the ways in which we experience
both our world and our selves. It coincides with sensations whenever
it has a bodily component. But it is sufficiently flexible to cover
emotions and attitudes or opinions. But attaching names to phenomena
never helped in the long run and in the really important matter of
understanding them. To identify feelings, let alone to describe
them, is not an easy task. It is difficult to distinguish among
feelings without resorting to a detailed description of causes,
inclinations and dispositions. In addition, the relationship between
feeling and emotions is far from clear or well established. Can we
emote without feeling? Can we explain emotions, consciousness, even
simple pleasure in terms of feeling? Is feeling a practical method,
can it be used to learn about the world, or about other people? How
do we know about our own feelings?
Instead of throwing light on the subject, the dual concepts of
feeling and sensation seem to confound matters even further. A more
basic level needs to be broached, that of sense data (or sensa, as
in this text).
Sense data are entities cyclically defined. Their existence
depends upon being sensed by a sensor equipped with senses. Yet,
they define the senses to a large extent (imagine trying to define
the sense of vision without visuals). Ostensibly, they are entities,
though subjective. Allegedly, they possess the properties that we
perceive in an external object (if it is there), as it appears to
have them. In other words, though the external object is perceived,
what we really get in touch with directly, what we apprehend without
mediation are the subjective sensa. What is (probably) perceived
is merely inferred from the sense data. In short, all our empirical
knowledge rests upon our acquaintance with sensa. Every perception
has as its basis pure experience. But the same can be said about
memory, imagination, dreams, hallucinations. Sensation, as opposed
to these, is supposed to be error free, not subject to filtering or
to interpretation, special, infallible, direct and immediate. It is
an awareness of the existence of entities: objects, ideas,
impressions, perceptions, even other sensations. Russell and Moore
said that sense data have all (and only) the properties that they
appear to have and can only be sensed by one subject. But these all
are idealistic renditions of senses, sensations and sensa. In
practice, it is notoriously difficult to reach a consensus regarding
the description of sense data or to base any meaningful (let alone
useful) knowledge of the physical world on them. There is a great
variance in the conception of sensa. Berkeley, ever the incorrigible
practical Briton, said that sense data exist only if and when sensed
or perceived by us. Nay, their very existence IS their being
perceived or sensed by us. Some sensa are public or part of lager
assemblages of sensa. Their interaction with the other sensa, parts
of objects, or surfaces of objects may distort the inventory of
their properties. They may seem to lack properties that they do
possess or to possess properties that can be discovered only upon
close inspection (not immediately evident). Some sense data are
intrinsically vague. What is a striped pajama? How many stripes does
it contain? We do not know. It is sufficient to note (=to visually
sense) that it has stripes all over. Some philosophers say that if a
sense data can be sensed then they possibly exist. These sensa are
called the sensibilia (plural of sensibile). Even when not actually
perceived or sensed, objects consist of sensibilia. This makes sense
data hard to differentiate. They overlap and where one begins may be
the end of another. Nor is it possible to say if sensa are
changeable because we do not really know WHAT they are (objects,
substances, entities, qualities, events?).
Other philosophers suggested that sensing is an act directed at
the objects called sense data. Other hotly dispute this artificial
separation. To see red is simply to see in a certain manner, that
is: to see redly. This is the adverbial school. It is close to the
contention that sense data are nothing but a linguistic convenience,
a noun, which enables us to discuss appearances. For instance, the
"Gray" sense data is nothing but a mixture of red and
sodium. Yet we use this convention (gray) for convenience and
efficacy's sakes.
B. The Evidence
An important facet of emotions is that they can generate and
direct behaviour. They can trigger complex chains of actions, not
always beneficial to the individual. Yerkes and Dodson observed that
the more complex a task is, the more emotional arousal interferes
with performance. In other words, emotions can motivate. If this
were their only function, we might have determined that emotions are
a sub-category of motivations.
Some cultures do not have a word for emotion. Others equate
emotions with physical sensations, a-la James-Lange, who said that
external stimuli cause bodily changes which result in emotions (or
are interpreted as such by the person affected). Cannon and Bard
differed only in saying that both emotions and bodily responses were
simultaneous. An even more far-fetched approach (Cognitive Theories)
was that situations in our environment foster in us a GENERAL state
of arousal. We receive clues from the environment as to what we
should call this general state. For instance, it was demonstrated
that facial expressions can induce emotions, apart from any
cognition.
A big part of the problem is that there is no accurate way to
verbally communicate emotions. People are either unaware of their
feelings or try to falsify their magnitude (minimize or exaggerate
them). Facial expressions seem to be both inborn and universal.
Children born deaf and blind use them. They must be serving some
adaptive survival strategy or function. Darwin said that emotions
have an evolutionary history and can be traced across cultures as
part of our biological heritage. Maybe so. But the bodily vocabulary
is not flexible enough to capture the full range of emotional
subtleties humans are capable of. Another nonverbal mode of
communication is known as body language: the way we move, the
distance we maintain from others (personal or private territory). It
expresses emotions, though only very crass and raw ones.
And there is overt behaviour. It is determined by culture,
upbringing, personal inclination, temperament and so on. For
instance: women are more likely to express emotions than men when
they encounter a person in distress. Both sexes, however, experience
the same level of physiological arousal in such an encounter. Men
and women also label their emotions differently. What men call anger
women call hurt or sadness. Men are four times more likely than
women to resort to violence. Women more often than not will
internalize aggression and become depressed.
Efforts at reconciling all these data were made in the early
eighties. It was hypothesized that the interpretation of emotional
states is a two phased process. People respond to emotional arousal
by quickly "surveying" and "appraising"
(introspectively) their feelings. Then they proceed to search for
environmental cues to support the results of their assessment. They
will, thus, tend to pay more attention to internal cues that agree
with the external ones. Put more plainly: people will feel what they
expect to feel.
Several psychologists have shown that feelings precede cognition
in infants. Animals also probably react before thinking. Does this
mean that the affective system reacts instantaneously, without any
of the appraisal and survey processes that were postulated? If this
were the case, then we merely play with words: we invent
explanations to label our feelings AFTER we fully experience them.
Emotions, therefore, can be had without any cognitive intervention.
They provoke unlearned bodily patterns, such as the aforementioned
facial expressions and body language. This vocabulary of expressions
and postures is not even conscious. When information about these
reactions reaches the brain, it assigns to them the appropriate
emotion. Thus, affect creates emotion and not vice versa.
| Sometimes, we hide our emotions in order to
preserve our self-image or not to incur society's wrath.
Sometimes, we are not aware of our emotions and, as a result,
deny or diminish them. |
C. An Integrative Platform A Proposal
(The terminology used in this chapter is explored in the previous
ones.)
The use of one word to denote a whole process was the source of
misunderstandings and futile disputations. Emotions (feelings) are
processes, not events, or objects. Throughout this chapter, I will,
therefore, use the term "Emotive Cycle".
The genesis of the Emotive Cycle lies in the acquisition of
Emotional Data. In most cases, these are made up of Sense Data mixed
with data related to spontaneous internal events. Even when no
access to sensa is available, the stream of internally generated
data is never interrupted. This is easily demonstrated in
experiments involving sensory deprivation or with people who are
naturally sensorily deprived (blind, deaf and dumb, for instance).
The spontaneous generation of internal data and the emotional
reactions to them are always there even in these extreme conditions.
It is true that, even under severe sensory deprivation, the emoting
person reconstructs or evokes past sensory data. A case of pure,
total, and permanent sensory deprivation is nigh impossible. But
there are important philosophical and psychological differences
between real life sense data and their representations in the mind.
Only in grave pathologies is this distinction blurred: in psychotic
states, when experiencing phantom pains following the amputation of
a limb or in the case of drug induced images and after images.
Auditory, visual, olfactory and other hallucinations are breakdowns
of normal functioning. Normally, people are well aware of and
strongly maintain the difference between objective, external, sense
data and the internally generated representations of past sense
data.
The Emotional Data are perceived by the emoter as stimuli. The
external, objective component has to be compared to internally
maintained databases of previous such stimuli. The internally
generated, spontaneous or associative data, have to be reflected
upon. Both needs lead to introspective (inwardly directed) activity.
The product of introspection is the formation of qualia. This whole
process is unconscious or subconscious.
If the person is subject to functioning psychological defense
mechanisms (e.g., repression, suppression, denial, projection,
projective identification) qualia formation will be followed by
immediate action. The subject not having had any conscious
experience will not be aware of any connection between his
actions and preceding events (sense data, internal data and the
introspective phase). He will be at a loss to explain his behaviour,
because the whole process did not go through his consciousness. To
further strengthen this argument, we may recall that hypnotized and
anaesthetized subjects are not likely to act at all even in the
presence of external, objective, sensa. Hypnotized people are likely
to react to sensa introduced to their consciousness by the hypnotist
and which had no existence, whether internal or external, prior to
the hypnotist's suggestion. It seems that feeling, sensation and
emoting exist only if they pass through consciousness. This is true
even where no data of any kind are available (such as in the case of
phantom pains in long amputated limbs). But such bypasses of
consciousness are the less common cases.
More commonly, qualia formation will be followed by Feeling and
Sensation. These will be fully conscious. They will lead to the
triple processes of surveying, appraisal/evaluation and judgment
formation. When repeated often enough judgments of similar data
coalesce to form attitudes and opinions. The patterns of
interactions of opinions and attitudes with our thoughts (cognition)
and knowledge, within our conscious and unconscious strata, give
rise to what we call our personality. These patterns are relatively
rigid and are rarely influenced by the outside world. When
maladaptive and dysfunctional, we talk about personality disorders.
Judgements contain, therefore strong emotional, cognitive and
attitudinal elements which team up to create motivation. The latter
leads to action, which both completes one emotional cycle and starts
another. Actions are sense data and motivations are internal data,
which together form a new chunk of emotional data.
Emotional cycles can be divided to Phrastic nuclei and Neustic
clouds (to borrow a metaphor from physics). The Phrastic Nucleus is
the content of the emotion, its subject matter. It incorporates the
phases of introspection, feeling/sensation, and judgment formation.
The Neustic cloud involves the ends of the cycle, which interface
with the world: the emotional data, on the one hand and the
resulting action on the other.
We started by saying that the Emotional Cycle is set in motion by
Emotional Data, which, in turn, are comprised of sense data and
internally generated data. But the composition of the Emotional Data
is of prime importance in determining the nature of the resulting
emotion and of the following action. If more sense data (than
internal data) are involved and the component of internal data is
weak in comparison (it is never absent) we are likely to
experience Transitive Emotions. The latter are emotions, which
involve observation and revolve around objects. In short: these are
"out-going" emotions, that motivate us to act to change
our environment.
Yet, if the emotional cycle is set in motion by
Emotional Data, which are composed mainly of internal, spontaneously
generated data we will end up with Reflexive Emotions. These are
emotions that involve reflection and revolve around the self (for
instance, autoerotic emotions). It is here that the source of
psychopathologies should be sought: in this imbalance between
external, objective, sense data and the echoes of our mind.
| This information
was written by:
By: Dr. Sam
Vaknin
The author of Malignant Self Love -
Narcissism Revisited ORDER |
 |
Copyright Notice
This material is
copyrighted. Free, unrestricted use is allowed on a non commercial
basis. The author's name and a link to this Website must be
incorporated in any reproduction of the material for any use and by
any means.
|
Invest in Your
Mind.
Visit Our Book
Section |
Kathi's Mental Health Review
Copyright © Kathi
Stringer & Respective Authors.
Site Powered By
Kathi Stringer
Online web site design |
|